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New rock from the old blue
By Alec Bemis
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COURTESY I-HUEI GO
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Cover art from Geek Love's new 7".
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College rock. What an odd duck. The success of underwhelming, former
college boogie rock acts like Hootie and the Dave Matthews Band has given
people the wrong idea of what college rock stands for. What happened to
naiveté? What happened to learning to play your instruments sometime
after your first show? What happened to putting out a record before
coming out with a t-shirt or a marketing plan? Yeah, Yale has plenty of funk
bands providing the extended soundtrack to drunken near hook-ups at frat
parties everywhere. But if you look a bit farther, you will find that this
campus also manages to squeeze out some new rock blood every year--bands that
do shows at Yale with the intent of forming songs, not just cool bass licks.
Mia Doi Todd, BR'97, went home to Los Angeles over winter break with a
recently pressed, self-released 7" and came back to the east coast a
newly-minted, full-length recording artist. While home on break, Todd wracked
up a few well-received gigs at L.A.'s Jabberjaw club--a kind of West Coast
version of New York's CBGBs. Thanks to those performances, the recording label
X-Mas asked her to put out a CD for them. X-Mas, while hardly competition for
DGC and the like, is a well-respected indie label that has released records by
Further and Sebadoh. Todd's record of starry eyed, chanteuse-like solo
musings--featuring backup by Nothing Painted Blue's frontman Franklin
Bruno--will be out in the spring.
Jason Morphew, TC '95, has also recently recorded a full-length CD debut.
Combining an earnest love of rock-n-roll and old-style country with the
eccentricities of songwriters as diverse as Hasil Adkins and Leonard Cohen,
Morphew garnered fans not only at Yale but in local bars during his traipse
through New Haven ivy. After a stint working behind the counter at a Captain
Video in California and many months on the road, he has recently settled in New
York. Morphew continues to play out as much as possible, and has his record
slated for release by another small, but critically well-received label,
BaDaBing!
Which brings us to Geek Love, the most recent entrant into the 1997 Yale
record-release schedule. Assembling the collective talents of Josh Beaton, CC
'97, I-Huei Go, CC '97, Jess Row, TC '97, and Greg Zinman, BR '96, Geek Love
are celebrating the release of their first 7" on their own Swivel Arm
label with a show in the Calhoun Cabaret at 8 p.m. on Sat., Jan. 25. The
Floorpilers, their compatriots in rock, will help them celebrate. Geek Love's
record strives for the easy release of perfect pop; appropriately, it holds two
songs falling just around the perfect pop song length of three minutes, thirty
seconds. "Ariadne" and "Cost" both underplay some of the guitar fuzz the band
shows off in the live setting in favor of catchy lead guitar, warm, understated
vox, and shambling pop songwriting. In the song "Cost," Go sings of "giving
into guilty pleasures" and this is just what this record is--a nice light break
from your daily slate of organic chemistry and Greek epic poetry. It is like
the pinch of ginger before and after the sushi or some similarly abysmal
metaphor.
Best of all, you too can be part of the magic by getting your hands on all of
these recordings through the performers and their labels. For information on
the recordings mentioned: Mia Doi Todd singles are $3 to PO Box 205807, New
Haven, CT 06520; information on Jason Morphew's record can be had by e-mailing
BaDaBing! at BaDaBing@aol.com; Geek Love can be reached by calling I-Huei Go
and Jess Row at 624-6879. And remember, rock hard old blue, rock hard.
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