Records: Vienna Philharmonic Orchestra's Schubert symphonies no. 3 and 8

By Michael A. Lewanski, Jr.

Whenever a recording of a piece performed as often as Schubert's "Unfinished" Symphony is released, we wonder whether or not it is really necessary. Well, this recording (first released on LP in 1979 and on CD in 1997) proves that there is always something new to be said about the so-called "war-horses" of classical music.

This recording will surprise many listeners with the sheer speed of the tempos; the most strict period-instrument group would never in their wildest dreams play the second movement of the third this fast. Both movements of the eighth move along rapidly as well. Kleiber, who is known for speedy tempos, seems to have the idea that Schubert himself is playing with the idea of tempo and meter.

The first movement is remarkable for its range of emotions. Look to the shattering crescendo and subsequent outbursts of the development section for an example of what it really sounds like to hear an inspired orchestra and a similarly motivated conductor. The contrast of the movement's main themes is done perfectly; somehow, everything works in the same tempo.

The second movement is also remarkable for its perfect characterization and gentle flowing quality, as well as the violence of the outburst near the ends of sections. I have only on rare occasions heard any recording of such sublime beauty as the end of the symphony.

It may seem like an odd juxtaposition to pair the loftiness of the "Unfinished" Symphony with such a blatantly silly piece as the third; however, this pairing manages to emphasize Schubert's development from an eighteenth-century classicist to a 19th-century romantic.

The third symphony's characterization borders on perfection; experience the subordinate theme of its first movement for an example of all the elegance and radiance that Schubert could have imagined. This is essentially a light-hearted symphony, and Kleiber emphasizes its sheer joyfulness and spontanaiety better than any other conductor could. Once again, we see the VPO in top form, responding to every nuance and playing as if it actually means it.

This is one of those few releases that everyone should be issued upon being born. Even if you are not looking for a recording of these symphonies, buy this disc. (Polydor)

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