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Records: The X-Ecutioners' X-Pressions
Check out X-Pressions sound clips at
The Planet of Sound.
By Daniel Levy
If you're the kind of head that wants to give Puffy the
finger because his beats satisfy your appetite for hip-hop like a soggy Nilla
wafer, then you'll like the X-Ecutioners' new joint, X-Pressions. Or,
even if you've never tasted any hip-hop besides crappy commercial hip-pop
à la Puffy, then try a bit of this. This disc is going to be yummy for
two types of people: those just tasting hip-hop for the first time, and those
heads with a discerning palate.
The X-Ecutioners are four turntablists--DJs who are just so ill that you have
to grant them a new title. What turntables do, for those who don't know, is cut
and scratch the hell out of a record. Without a doubt, the X-Ecutioners are
true artists, skilled at their instrument. Their album offers beats that make
you want to dance, beats that make you want to bug out--it even offers beats
that make you want to study.
Songs like "Get Started," star a slightly bouncy beat. The track's cutting is
so tight that no matter how badly you may want to dance, you'll be confined to
sitting on the couch bobbing your head until the next cut. Other cuts, like
"Word Play," greet you with a spark of energy, and a beat that's easier to
feel.
Throughout the album are snippet interludes comprised mostly of talking and
background sounds. Here, the X-Ecutioners let you get to know them. You can
appreciate how hard it must have been for four DJs to get the chance to create
an album that is so far from the normal radio-oriented type of hip-hop
saturating music media these days. The X-Ecutioners sample and gather sounds
from countless sources--from Rakim to techno to simply weird sounds.
So yell "Yayyeeeeeee!!!!!" if you like hip-hop. "Yayyeeeeeeee!!!!" is the best
"x-pression" for the X-Ecutioners' new joint--this album is clear, honest proof
that hip-hop is art. (Asphodel)
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