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Dive into New Haven's watering holes
- Before you drown your February sorrows in drink, check out the 411 on four of New Haven's hottest spots.
By Stephanie Escajeda, Claire Lundberg, Andrea Lynch, and Emily Raboteau
Stephanie Escajeda at the Old Town Tavern
I am constantly surprised by the situations into which my undying thirst
will lead me. On a Sunday afternoon stroll, my appetite drove me towards a
destination--any destination provided it served beer in a chilled mug. Leaving
caution at the local convenience store to buy a Pepsi, I entered the Old Town
Tavern on Orange Street. What beckoned me in, ultimately, was the name: this
establishment promised to be rustic New Haven with History sipping whiskey at
the bar. Once through the door, however, my eyes caught on to what my brain
would not accept: I was the only female present, aside from the raspy-voiced
bartender. I also noted that I was not observing the dress code: baseball cap,
black jeans, flannel, and moustache. Fearless as usual, I would not be kept
from my beer, so I bellied up to the bar and signaled the bartender, ready to
order. She approached. "This here is a private party. A friend of ours is
gettin' married." "Does this mean I can't get a beer?" I asked. "Well...no."
"Newcastle, then."
Her eyes tried to give the warning that her words could not. They said, "You
realize you are the meat," but I nodded defiantly in the direction of the tap.
She drew my cup and wiped my place clean. On the first sip, I gazed at the
semi-fine liquors on the wall. On the second, I straightened my back. On the
third, the proposal came. Him: "Hello, there. Are you a dancer?" Me: "I can
dance, but I'm not a dancer." Him: "Well, our stripper hasn't shown, and I've
got a wad of money burning a hole in my pocket."
The fourth, the fifth, and the final gulps flew fast down my gullet. I paid, I
nodded, I smiled, and I left. I never tried out the pool table. I never used
the facilities. I never danced the fandango on the laps of eager patrons. So
much to do in New Haven, so little time.
Emily Raboteau at G. Reynold's
Jim asks us if we want to go see this Country band play at this Country
Western bar in Branford on Saturday night. He knows the guitarist. "And how!" I
say. Nicole shrugs her shoulders. Country Western isn't exactly her idea of a
good time. But when Saturday rolls around, she's dressed up kind of like a
cowgirl chippie long before its time for Jim to pick us up. She has on
her made-for-walking boots, a black suede mini-skirt, a button-up shirt with
red and white checkers tied off under her breasts, a red kerchief tied around
her neck, and her hair in pigtails.
When Jim picks us up to go to the bar, I've got on my cowboy shirt with the
snaps and the almost-too-tight-to-do-the-fly blue jeans and Nicole has done my
hair in braids with ribbons at the ends. We're both talking like down-home
Dolly Parton and wearing make-up like Tammy Faye Bakker and Jim's shaking his
head and wishing he hadn't asked us along because everybody at the Country
Western bar is probably going to think we're making fun of them.
When we get there, it's almost exactly like what you think a Country Western
bar should be, which is surprising. Who would have guessed they've got cowboys
in Connecticut? There's this man in black leaning at the bar chewing on a
toothpick, looking like either a cross between Death and the Marlboro Man or
the bad guy in a Roy Rogers flick, depending on which way you look at him.
Either way, you can tell he's tough and would cut you up with a beer bottle if
you got him mad. A lot of the men don cowboy hats. One's even wearing a
leather vest with fringe. Most of the women have mile-high hair. There's also
this lady having a party at one of the tables with balloons and a happy
birthday banner and a cake with all these candles like this is Chuck E. Cheese
at the O.K. Corral.
We are definitely the youngest people in the place. Everybody else is
somewhere between 35 and 60 and all of them seem to be married couples. I have
to remind myself I'm 21 and have a right to be there. We sit down at a little
table near the dance floor and Nicole and I get Coronas with lime. We push the
lime down into the bottle-necks like my big brother taught me when I was a
little girl. Before we can suck them dry, Nicole spills half her Corona into
the basket of potato chips the tough-cookie waitress brought. I laugh, but Jim
doesn't think it's so funny.
The band is playing what must be country standards because it seems like all
the people are mouthing the words like they know them by heart as they
line-dance up on the dance floor. Line-dancing looks easy, but Nicole and I
feel too much like outsiders to try it. Plus the floor is pretty packed. Then
the lady singer starts up "Ain't Nothin' but a Hound Dog." We jump up on the
floor before any of the old people get a chance to form a line and we start
dancing like we know how. The lady's growling out the words like they're
supposed to be sung, not the way Elvis sang them. You can tell she's got fire
'cause her boots are red as flames.
I don't know two-step or square-dancing, but I do know the butterfly, the
bankhead, the donkey, and the forbidden belly dance I learned from a fat lady
in a Middle Eastern restaurant, so that's what I'm doing. Nicole's next to me
spinning in circles and laughing and swinging her arms loose and switching her
butt with her eyes closed. We're the only ones on the floor. It's our country.
We join hands and throw back our heads and spin 'cause there are no laws. Jim's
friend is going crazy on the guitar. We're dancing real hard and dirty and the
women have to pick their husbands' jaws up off the ground, 'cause that's where
they've dropped. We're turning and churning and Nicole gets so dizzy she trips
over to her seat, but I keep on dancing 'cause I'm young and I'm happy. It's
life, not liquor, making me move. I'm thinking, if I died now, at least I'd be
dancing; if I died now, at least I'd go down laughing. I dance so hard, when I
finally stop, those Connecticut cowboys and their wives have to clap.
Claire Lundberg at the Old New Haven Bar
The Old New Haven Bar inhabits that strange area of downtown known as
Ninth Square, where condos and junk shops rub elbows. It serves as the most
ironic example of the ghost-town renaissance that seems to be occurring in the
area across from the Coliseum--partially because it just opened, making it the
new Old New Haven Bar. Its name mirrors what downtown as a whole is
trying to do--move backwards in time by nostalgically rediscovering the time
when New Haven was prosperous, men were men, and beer was beer.
But the Old New Haven Bar is not ironic in name alone. The owner described to
me his desire to make it "a neighborhood place"--but how do you create a
neighborhood place where there is no neighborhood? This is the challenge for
the Old New Haven Bar, and a formidable one it is, considering it was serving a
crowd of about four people when my friend and I rolled up to the joint. Again,
like downtown itself, it seems all dressed up with no place to go. This is too
bad, really--it's a nice place. Kind of like T. G. I. Friday's, without the
screaming crowds of drunken investment bankers. Or like Cheers, only there
aren't enough people there for anyone to know your name. It's a real old
American bar, where you can sip your beer and watch football, in the company of
the town's long-tarnished glory. Then try and beat yourself at darts.
Actually, everyone should go . Keep it from being one of those New Haven
businesses that closes after two weeks. Do we really need another empty
storefront around?
Whoops, I'm getting political. Waiter, could I have another beer?
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| Julia
Tiernan/YH |
| Despite its confident exterior, Gecko remains confused on the inside. |
| Andrea Lynch at Gecko
Walking into Gecko at 11 p.m. on a Friday night, I get the feeling that
it wouldn't be too hard to find someone to go home with after last call. I also
get the feeling that Gecko is a bar with an identity crisis. Is it a sports
bar? A cigar bar? A cheesy dance club? My mission is to find out.
In the interest of journalism, I hit the dance floor when "No Diggity" comes
on. Waify black-clad women are baring their midriffs and gyrating their hips. A
sprinkling of couples will need to be surgically removed from each other later
in the evening. Circles of kids who look like they just graduated from junior
high ring the dance floor. We are doing our best to look eligible, but no one
bites. "There must be more Yale people than we thought," my friend shouts over
the pumping bass. "None of these guys are hitting on us." Too true. While
we're getting another round at the bar, a dapper bachelor in a swank corduroy
blazer bums a light off me for his cigar, then disappears.
As the opening cries of "Tubthumping" ricochet across the trendy industrial
interior, we feel compelled to join the Great White Wave migrating over to the
dance floor. This time, we are not disappointed. Within one chorus, two
eligible young gentlemen are jerkily making their way over to us. After a
sketchy male/male semaphore barely visible to the naked eye, we break off into
couples.
I ask my boy if he comes here often. "It's my first time," he shouts in my
ear. Later, he admits that he's been here for the past three or four weekends.
"Where are you from?" I ask. "New York," he says. "I love the City," I reply.
He chuckles. "Well, I'm not actually from New York. I just tell girls that."
Another lie whose purpose remains unclear. It's time for another drink and a
graceful exit.
Well, we didn't get lucky, but we sorta got drunk. I guess you can't really
ask for much more from a bar. The drinks at Gecko are reasonably priced, the
music is predictable but danceable, and of course it's somewhat refreshing to
be in a sexually charged atmosphere every once in a while. But the problem with
Gecko is that it just doesn't seem to have any soul; it's fresh off the dance
club/sports bar/cigar bar assembly line. Call it the XandO of nightspots.
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