World Wrestling Federation: The Music Vol. III
Much of my taste in music probably falls into the
category "Music Nobody Wants to Listen To." But this genus may hold the
most important music being recorded in America today. Certainly this is
true of The Music: Vol. III from the World Wrestling Federation
(WWF). Plus, it comes with a free poster.
The album is advertised as "a collection of original arena entrance theme
songs of the WWF superstars you've heard on TV." But it is so much more. Gone
are the subtle masterpieces like Hillbilly Jim's "Waking up Alone" and Koko
Beware's "Piledriver" from the 1987 album. Here we get strong riffs, catchy
melodies, and refrains that speak to the rebelliousness of today's American
youth culture. Even the WWF's greatest detractors must admit that the
organization has a way of catching the exact rhythms and inflections of
cliché and turning them into something grand. This is what you get when
you strip away all the sissy elements of popular music and get down to the bare
bones.
Take, for example, "The Undertaker," a piece whose importance to cross-genre
musical composition can only be compared to Gershwin's "Rhapsody In Blue."
Don't believe me? Gershwin's composition introduced a variety of jazz elements
into Western concert music. Techniques such as slurs, blue notes, and heavily
syncopated rhythms expanded the classical music lexicon dramatically. "The
Undertaker," composed by James A. Johnston, has at least three chords and uses
an ominous bell toll. You're pinned.
"Edge," named after the wrestler who makes his entrance to this tune, contains
just one riff. But it's genius. After only one listen, I found myself humming
"do-dum-da-doo--dum-doo-dum-doo." See? It's catchy. But the coupling of this
riff with the refrain "You think you know me but you don't/ You're just a
puppet" turns the song into something sublime. Yes, something sublime and
terrible.
The songs range in genre from the old-school rap of "The Oddities" to the
sweet, syrupy disco of "Dude Love." The strong point is certainly the lyrics,
mostly one-line gems which come from the catch phrases of these WWF
personalities: "The Rock's layin' the smack down." Needless to say, the rest
are similarly meaningful and eloquent.
But even better are the wrestlers' own pithy song reviews in the liner notes,
such as X-Pac's "This is a little sumptin' sumptin' for everyone out there that
knows what's up! If you got the time, I've got the @#$%!" If only I hadn't
already submitted my senior quote for the yearbook. (Koch International)
--Joseph Tuzzo
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