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Joydrop's Metasexual
When I grow up, I want to sit in a big leather chair in
a big corner office in a big corporate building in the Big City. There, miserly
little business peddlers will hawk the "brilliant" projects they have in mind
for the happy world of modern entertainment. For $200,000, they will pitch me
their best, and I will tell them whether or not they should continue with their
proposal. If they do, and their project is a smashing success, $200,000 is
pocket change; if their project is panned, then I won't lose too much money.
Therefore, ideas like "I want to make a baseball movie with Matt LeBlanc and a
monkey" would never be fully realized--and no one would ever let Joydrop's
Metasexual get any further than the drawing board.
The titles of their tracks answer all of my questions. What does this album
do? Answer: "Fizz." Didn't I know not to review this album? "All Too Well." Who
listens to this crap? "No One." Joydrop's music is representative of bad
late-'90s rock: pissed-off female lead singer quietly croons about why love and
her four-person indie band suck, then screams her head off during the chorus.
For example, "Spiders," track five, begins with a brief, rippling guitar solo,
ushering in vocalist Tara Slone's gently irate lyrics about fresh mesh flesh.
Then suddenly the drums flare and the bass deepens (I assume the guitarists are
now head-banging) as Slone screams, "Like spiders, like spiders, all over me
like spiders, like spiders all over me!"
The rest of the songs, if not identical in chord progression, are pretty close
to the musical forms exhibited in other Joydrop classics. "Beautiful,"
"Strawberry Marigold," and "Cocoon" all share the same nonstop lethargy. Not
one song on this album displays anything new, exciting, or even
noteworthy--unless you consider "endless sucking" worth mentioning.
Metasexual, in an ideal world, would have earned me $200,000 and
Joydrop a trip to garage-band Purgatory. If only, a track's title could have
answered my question "What Do I Do Now?" Unfortunately, the band didn't name
one of its songs "Kill yourself." (Tommy Boy)
--Aaron Zamost
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